An Dantomine Eerly

Jarret Richard Devlin Middleton

Product Details

Genre: Fiction

Format: Trade paperback, e-book (tba)

Available through: Amazon.com, Barnes & Noble, Borders, Powell's, Indiebound.org

You are invited to witness Dallin’s passage into death.  The ailing poet distantly recalls his own life through the language of a damaged psyche and the symbols of a spirit upended by violent transformation.  In this, memories abound:  an old, wind beaten house where a palpable absence suggests a past but somehow still-looming tragedy; vacancy permeates a ghostly barroom and the campus of a condemned university; city streets and desolated forests are populated by no one except the changing formulations of Dallin’s own mind.  His inner conflict reigns, and the geography takes on the disorientation and divisiveness at the center of us all.  Along with his wife Aìsling, the two flee an obscure political persecution which leads to her graphic, methodically planned murder.  The impact of her death afflicts a lone Dallin in ways he cannot comprehend, spiraling him headlong into his meeting with the mythic celestial escort, An Dantomine Eerly.

This intensely original novel is a skillful re-conception of the old Irish poetic form the aìsling, literally meaning “dream vision” or “vision-poem.”  As a reader you are personally addressed, called to the role of interpreter and revelator, allowing the story to unfold towards its strange, genre-defying conclusion.  Through you, this story affords its telling.  Dallin sends his regards.

Jarret Richard Devlin Middleton was born in Boston, Massachusetts in 1985. He has studied writing at Concordia University and the University of New Hampshire, and written on the road in the U.S. while living in New Hampshire, Boston, New York City, Montréal, and Philadelphia.  He is the editor of Dark Coast Press in Seattle, WA.  An Dantomine Eerly is his first novel.

"It's experimental, surrealist fiction about the end of a poet's life. Eerly calls back to centuries of Irish literary tradition, from the aisling (a patriotic lyric poem from the 17th century with dozens of bizarre constraints) to James Joyce's giddy molestation of language." Paul Constant, The Stranger

“Identities are never fully clear in this Gothic tale of romance and sex. The language that provides clues as to their appearance and character shines and shifts with something larger than beings of skin and bone. Its language is a liminal one, haunting the borders of life and death, ideas and reality, with a mournful, incendiary resonance. At the heart of this book is a deep romanticism, a dusky tenuity that thwarts and lures, conceals and reveals, confusing actuality with hallucination . . . [An Dantomine Eerly] sounds as if Charles Bukowski had suddenly been possessed by the spirit of Matthew Arnold. As if Dover Beach suddenly became Venice Beach, and the acerbic barfly a quixotic scholar gypsy. As if they could somehow be both, in the same body.”   John Olson, author of Souls of Wind and The Nothing That Is

"This book is a surreal exploration of death and the secrets that lie at the end of the universe, [. . . ] whether or not you pick up on all of the vast meaning, it’s like reading a painting;you might not know precisely what   the creator meant to say, but it’s still beautiful to look at, and you get the sense that there’s something profound just beyond your grasp." Bibliophibia

“An Dantomine Eerly takes the reader on an intellectual ride . . . Profusely prolific in an amazingly short amount of space . . . An Dantomine Eerly [was as] engaging a read as I had hoped, . . . I would recommend this book to readers looking for an intellectual read as well as book groups that like a challenging book to discuss.”  Rundpinne